Marradi L. 08.11.2010
THEATRE IN AN ANIMATED CONCERT NOT TO BE MISSED:
ballads, Night, and Polish Fryderyk Chopin waltz like "cannons buried in flowers."
Saturday, November 20, 2010, at 21.00, the oldest and most beautiful theater in the Tuscan-Romagna there will be a musical event of high level within the framework of the cultural program initiated by the Province of Florence under the title "THE SPIRIT WITHIN" "Music Together", which participates with enthusiasm and commitment the municipality of Marradi. The perfect acoustics of the theater, due to an ancient architectural canon still unsurpassed, providing a clear and fascinating listening. Admission is free.
The choice of Chopin is not random, but is temporally causal because this year marks the bicentenary of his birth. Marradi is pleased to participate in this important event with a good choice program that includes piano pieces of great emotional intensity, interpreted by two young performers, in their early twenties, but with a curriculum already promising and now active in the School of Music Fiesole under the guidance of Peter De Maria and Bruno Canino, supreme masters of the instrument's preferred compositore polacco, tanto che i suoi lavori per strumento singolo e complesso orchestrale sono definiti concerti per orchestra e pianoforte perché lo strumento costruito per primo da Cristofori nel 1698 (chiamato inizialmente fortepiano) con Chopin diventa l’elemento concertante e l’orchestra interviene solo per dare spessore al suono e sviluppo alla forma-sonata.
I suddetti aspetti tecnici ed estetici sono ancora più comprensibili se si inquadra Chopin in brevi note biografiche e nel contesto territoriale, storico e culturale in cui egli operò: nacque a Varsavia nel 1810, un anno dopo Mendelssohn, e morì a Parigi nel 1849, due anni dopo lo stesso autore tedesco, di cui divenne amico proprio a Parigi. Entrambi hanno short-lived, but how Mendelssohn was "Felix" (nomem omen), and vitalistic traveling, Chopin was brooding, pessimistic and sedentary, a leopard music. His character is the quintessence of the romantic spirit "weak" our tenderness that moves and moves when the notes of his work come to us instead of going up to the ears and the brain, goes directly to the heart. Chopin's greatness lies in the apparent spontaneity of his melodies, nell'ingannevole ease of tune. If instead of "hear" his ballads, the night, the sudden, the preludes, mazurkas and the beloved Polish (spontaneous and generous tribute to the homeland), "listen" rather we focus on its work in meditation, we discover that the spontaneity Chopin is the fruit of genius early and persistent associated with technical virtuosity and ease is a complex answer. The reputation of Chopin's drawing-room, sickly, morbid and languid not only concern the composer's personality but that of many writers and artists born in or around the first two decades of the '800, as Schubert, Baudelaire and the aforementioned Leopardi. We would always be the pleasure of his brief and immortal works.
We are ready to listen to the piano and Irene Gaia Federica Caporiccio Novi making a gift of their own young Chopin. Their curriculum gives us hope in a future full of progress and artistic maturity. We look forward to their performance because when it comes to the Conservatory L. Cherubini in Florence, where they were formed, and the Music School of Fiesole, where they are perfected, we are sure that the roots and trunk are healthy and noble, and Irene will Federica Gaia to create a beautiful and attractive foliage. The medium is fertile: the beautiful and noble northeastern hills of Florence are the musical born of great fame: in addition to the aforementioned school of Fiesole, L'Homme armé Settignano and Radio Montebeni that has, for decades, classical music every day 24h .
Antonio Moffa
PS: Tuesday 16 November, 20.30, in the library there will be a meeting in preparation for the CONCERT
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